…Contd.
I began to think about the Synthesizing Mind when the great physicist Murray Gell-Mann made an off handed remark. He opined that in the twenty-first century, the most important mind will be the synthesizing mind. A great example of a synthesizer is Charles Darwin. He travelled for five years aboard the Beagle, and collected a huge amount of information about the flora and fauna of the world. He did his own experiments and observations of the world, corresponded with everybody who was a naturalist, and then twenty years later put forth one of the great intellectual syntheses “On the Origin of the Species.”
The Synthesizing Mind realizes that nowadays, we are all inundated with information. If you looked up the word “evolution” on your search engine, you could spend the rest of your life just reading secondary sources. Many of them are of questionable value and you need criteria for deciding what to pay attention to and what to ignore. Additionally, to synthesize for yourself, you have to put information together in ways which cohere, which make sense for you. And if you are involved in communication, as every teacher, parent, and professional is, the synthesis has to be transmittable to other people.
I thought that psychology would have something to say about synthesizing because it is so important, but my research revealed that in fact psychology doesn’t have much to say. Some of you are thinking: “well, isn’t synthesizing what teachers have always done?” But let me introduce Monsieur Jourdain from the Bourgeois Gentilhomme by Molière. M. Jourdain got very excited in middle age because he found out that he was speaking prose all his life without realizing it. I think we have been in the business of synthesizing, but we haven’t been aware of how important it is and how we might help other people to become better synthesizers.
How one might be more reflective about synthesizing? The answer is: looking for the current best synthesis, deciding what our ultimate synthesis should look like, picking a method, deciding what are we going to look at, listen to and why, examining what are we going to ignore and why, and importantly, how are we going to record information, using equations, mind maps, stories, formulas, taxonomies, or whatever. Again, the kind of things that most of us do already, but we aren’t really reflective about it, we don’t spend much time explicitly transmitting that lore to people who are less experienced in synthesizing. Life is short, syntheses are due, term papers are due, lectures are due, but you want to finish the proto-synthesis some time beforehand, so that you can get informed reactions. Not only from people who know a lot but also from people who don’t know so much.
Finally, “no cigar” syntheses which try to do too much, which are too narrow, or which are eccentric are not adequate.
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